THE VISITATION<snip>
He does play favorites with his<snip>
young charges, clearly preferring Nyssa's company to the other two,
THE VISITATION
4 episodes. Approx. 96 minutes. Written by: Eric Saward. Directed by:
Peter Moffat. Produced by: John Nathan Turner.
Rating: 5/10.
In article<8414df68-cbe3-4622-bff2-3c15499b16c9@s7g2000yqa.googlegroups.com>,
jphalt@aol.com <jphalt@aol.com> wrote:
THE VISITATION
4 episodes. Approx. 96 minutes. Written by: Eric Saward. Directed by:
Peter Moffat. Produced by: John Nathan Turner.
Rating: 5/10.
I would say 7/10. This did give us a new villain.
BLACK ORCHID
2 episodes. Approx. 50 minutes. Written by: Terence Dudley. Directed
by: Ron Jones. Produced by: John Nathan Turner.
THE PLOT<snip>
The TARDIS materializes at a railway station in 1925, where the Doctor
is mistaken for a cricket player being sent for a match at a party at >Cranleigh Hall. The Doctor is happy to go along with this case of
mistaken identity, enjoying the chance to show off his skill at the
game. But Cranleigh Hall hides a secret - a mysterious figure, held
captive in a hidden room.
BLACK ORCHID
2 episodes. Approx. 50 minutes. Written by: Terence Dudley. Directed
Rating: 6/10.
Adric: He is described as "trunculent,"
In article <51e6f20b-f39b-41d2-ab29-3700f9ddf...@c18g2000yqj.googlegroups.com>,
"jph...@aol.com" <jph...@aol.com> writes:
Adric: He is described as "trunculent,"
Really? That makes me smile. Or was it your own typo?
Thanks for the review, which as always was interesting.
--
John Hall
"The power of accurate observation is commonly called cynicism
by those who have not got it."
George Bernard Shaw
EARTHSHOCK
Rating: 8/10.
TIME-FLIGHT
4 episodes. Approx. 97 minutes. Written by: Peter Grimwade. Directed
by: Ron Jones. Produced by: John Nathan Turner.
Rating: 2/10.
A rather good season of Doctor Who comes to a dismal end with Peter Grimwade's Time-Flight. Why is it so bad? "I'll explain later."
No, wait. That was the Doctor, waving away any need to provide a basis
for any of the proclamations he makes at any point in the serial.
Steven Moffat must have been thinking of Time-Flight when he wrote The
Curse of Fatal Death. At least there, "I'll explain later" was meant
to be funny. Here, it's just lazy writing, which is employed so often
across these four episodes that it practically becomes a catch-phrase.
I'll next be moving on to reviews of Series Six. There will be a
delay, as I'm re-watching Series Five before moving on.
A couple quick placement questions, please, regarding two titles:
1) Sarah Jane Adventures: Death of the Doctor. Does this go before or
after "A Christmas Carol," or does it matter?
2) "Night and the Doctor" DVD scenes. Do these slot in at any
particular point in the season, or is placement irrelevent?
2) "Night and the Doctor" DVD scenes. Do these slot in at any particular point in the season, or is placement irrelevent?
Any help would be appreciated. I've stayed successfully unspoiled about Series Six, and if I were to look up the answers myself, I'd risk wrecking
at least part of that effort.
THE SARAH JANE ADVENTURES: DEATH OF THE DOCTOR<snip>
At a brisk 52 minutes total, all of it in the company of characters
who are effortlessly likable, this is definitely a worthwhile
addition, both to The Sarah Jane Adventures and to Doctor Who.
Rating: 7/10.
I know that some people turn their noses up at the SJA series, and I'm
glad that you aren't among them. I must confess that I rather turned my
nose up at it myself before I started watching it, thinking that it
would be "kid's stuff". But when I overcame my prejudice and began
watching, I found that it was very engaging, and sometimes incorporated
some more imaginative story-lines than most of those in "Doctor Who"
proper.
--
John Hall
"The power of accurate observation is commonly called cynicism
by those who have not got it."
George Bernard Shaw
A CHRISTMAS CAROL
Rating: 7/10.
THE IMPOSSIBLE ASTRONAUT
Rating: 9/10.
A CHRISTMAS CAROL
SPACE/TIME
<jphalt@aol.com> a ocrit dans le message de news: >a61cfe8f-61e6-48f1-a0ed-ca8ef0469d10@h12g2000yqg.googlegroups.com...<snip>
A CHRISTMAS CAROLWhat (happily) surprised me in this episode is how good Katherine Jenkins
was as an actress.
THE DOCTOR'S WIFE
THE DOCTOR'S WIFE<snip>
1 episode. Approx. 46 minutes. Written by: Neil Gaiman. Directed by:
Richard Clark. Produced by: Sanne Wohlenberg.
A near perfectly-judged episode. It's idiosyncratic, but not so much
as to distance viewers from enjoying it. It's unique, but it
absolutely feels like Doctor Who at every turn. It's character-
centric, but not at the expense of being a fast-paced and atmospheric >adventure story. I said of The Curse of the Black Spot that it was not
a story I would likely ever re-watch. In contrast, this is a story
that I will revisit often.
Rating: 10/10.
In article <2ebe2a6a-f9ff-4ab5-bd02-a1e17d0e5957@b23g2000yqn.googlegroups.com>, >jphalt@aol.com <jphalt@aol.com> wrote:
THE DOCTOR'S WIFE
10/10 is saying perfection. Neil Gaiman is good but not
perfect.
I say 9/10
THE REBEL FLESH
2 episodes: The Rebel Flesh, The Almost People. Approx. 88 minutes.
Rating: 6/10.
THE REBEL FLESH<snip>
2 episodes: The Rebel Flesh, The Almost People. Approx. 88 minutes.
Written by: Matthew Graham. Directed by: Julian Simpson. Produced by:
Marcus Wilson.
The equivalent of the Silurian 2-parter from last season, complete<snip>
with a very traditional "Classic Who" structure and a (too-)
substantial amount of moralizing. If this were a classic series story,
it would be a Pertwee.
Rating: 6/10.
I think it was as close to perfect as one could ever hope to see in
Doctor Who. If that story isn't marked as ten then the mark may never be >used, meaning that you effectively have a scale of only 0 to 9.
I had expected "A Good Man Goes to War" and "Let's Kill Hitler" to
form a 2-parter. Now that I've watched them, I realize that they are >actually completely separate episodes. Therefore, they will get
completely separate reviews, starting with...
A GOOD MAN GOES TO WAR
1 episode. Approx. 48 minutes. Written by: Steven Moffat. Directed by:
Peter Hoar. Produced by: Marcus Wilson.
Rating: 9/10.
And the next one...
LET'S KILL HITLER
1 episode. Approx. 48 minutes. Written by: Steven Moffat. Directed by: >Richard Senior. Produced by: Marcus Wilson.
Rating: 7/10.
NIGHT TERRORS
1 episode. Approx. 48 minutes. Written by: Mark Gatiss. Directed by:
Richard Clark. Produced by: Sanne Wohlenberg.
Rating: 4/10.
In article <NZQmaBG4epQPFwWH@jhall.demon.co.uk.invalid>,
John Hall <nospam_nov03@jhall.co.uk> wrote:
I know that Neil Gaiman is a professional writer famous for Sandman and
many more things, but this story comes across exactly like if a fan were
to write a episode and scripted the story well, but used the opportunity
to put their own fan ideas into canon rather than to really write an
episode of the series as it is.
THE GIRL WHO WAITED
Rating: 7/10.
THE GOD COMPLEX
1 episode. Approx. 48 minutes. Written by: Toby Whithouse. Directed
by: Nick Hurran. Produced by: Marcus Wilson.
Rating: 9/10.
From having to acknowledge that River's path is set in Let's KillHitler, to having to sentence Old Amy to oblivion, to dashing Amy's
CLOSING TIME
1 episode. Approx. 45 minutes. Written by: Gareth Roberts. Directed
by: Steve Hughes. Produced by: Denise Paul.
Rating: 5/10.
THE WEDDING OF RIVER SONG
1 episode. Approx. 45 minutes. Written by: Steven Moffat. Directed by:
Jeremy Webb. Produced by: Marcus Wilson.
Rating: 9/10.
Regardless, the failure of the finale or any other point in the season
to address what I still believe were deliberate holes in the premiere
is the one failing of this episode, and the one reason why I'm not
ultimately awarding it full marks.
In article <073d50e3-05d2-48af-9973-a93982ecf...@g16g2000yqe.googlegroups.com>,"jph...@aol.com" <jph...@aol.com> writes:
<snip>
Regardless, the failure of the finale or any other point in the season
to address what I still believe were deliberate holes in the premiere
is the one failing of this episode, and the one reason why I'm not >ultimately awarding it full marks.
Knowing Moffat, I wouldn't be surprised if he has plans for filling in
those holes during the next series. There's nothing that says that a
plot arc can't stretch over more than one series.
It was certainly an ambitious
year. All told, I liked Series Five better. But I appreciate the
ambition of Series Six, and I think it succeeded a lot more than not.
NIGHT AND THE DOCTOR
4 episodes: Bad Night, Good Night, First Night, Last Night. Approx. 14 >minutes. Written by: Steven Moffat. Directed by: Richard Senior.
Produced by: Steven Moffat, Piers Wenger, Beth Willis.
wrote inmessagenews:29120128-a631-4745-be29-fa09f02aba11@k4g2000yqa.googlegroups.com...
NIGHT AND THE DOCTOR
4 episodes: Bad Night, Good Night, First Night, Last Night. Approx. 14 >minutes. Written by: Steven Moffat. Directed by: Richard Senior.
Produced by: Steven Moffat, Piers Wenger, Beth Willis.
What's this from?
THE TWO DOCTORS: THE PLOT<big snip>
3 episodes. Approx. 133 minutes. Written by: Robert Holmes. Directed
by: Peter Moffatt. Produced by: John Nathan Turner.
My head says "7," my heart says "10." So I'm going to split the
difference and add in a bonus point for the masterfully grotesque
Shockeye.
Rating: 9/10.
THE TWO DOCTORS: THE PLOT
3 episodes. Approx. 133 minutes. Written by: Robert Holmes. Directed
by: Peter Moffatt. Produced by: John Nathan Turner.
Rating: 9/10.
DAVROS (BF Audio)
Rating: 10/10.
Season 22 (and my second set of 6th Doctor reviews) comes to a close
with the best, if most atypical, story of the season:
REVELATION OF THE DALEKS
Rating: 10/10.
In article <9602542e-bf54-42a5-a458-1f11ebade336@x6g2000pbh.googlegroups.com>, >jphalt@aol.com <jphalt@aol.com> wrote:
REVELATION OF THE DALEKS
Rating: 10/10.
Agreed!! THe all time classic. You are
correct about the 18-month hiatus.
DELTA AND THE BANNERMEN
Rating: 5/10.
THE FIRES OF VULCAN (BF AUDIO)
4 episodes. Approx. 102 minutes. Written by: Steve Lyons. Directed by:
Gary Russell. Produced by: Gary Russell.
I wonder if the writer and producer of the "New Who" story set in the
same time and place were aware of this story. If so, they clearly
weren't worried about the Tenth Doctor running into the Seventh! :)
--
John Hall
IMHO Fires of Pompeii and Fires of Vulcan should be similar.
After all they address Pompeii in 79 AD .
I wonder if the writer and producer of the "New Who" story set in the
same time and place were aware of this story. If so, they clearly
weren't worried about the Tenth Doctor running into the Seventh! :)
--
John Hall
Very good point, the timeline seriously overlaps. However the Big Finish audios are probably not very well known among the general public (I have never seen them for sale in shops) so they might not have worried even if they had known about it. I suppose you could always make out that one of the stories happened in an alternate reality.
my personal preferences - I loved the pure historicals of 1960's, and
felt it was a great shame that the show stopped doing them so early in
its run.
wrote in message >news:a7efc5bd-afd0-48e9-8681-63d71a366024@px4g2000pbb.googlegroups.com...
my personal preferences - I loved the pure historicals of 1960's, and
It's too bad they'll never be back.
THE LONG GAME
Rating: 7/10.
Dalek 8/10 ? Are you kidding me?
Dalek get 'emotional' and then self-destrcuts for being impure.
4/10!
FATHER'S DAY
Rating: 8/10.
In article <7df889be-9486-4820-8926-c31f1c8e16fe@s9g2000pbh.googlegroups.com>, >jphalt@aol.com <jphalt@aol.com> wrote:
FATHER'S DAY
Rating: 8/10.
I would say 7/10 Myself. Hole plots includes
how did the Doctor disappear and return and what
were any repercussion of the creatures otherwise.
RISE OF THE CYBERMEN
Rating: 8/10.
THE IDIOT'S LANTERN
Overall Rating: 5/10.
From here, the pace quickens, and Part Two is marked by multiple setpieces. There's a tense and exciting chase through (effectively) a
THE IMPOSSIBLE PLANET
Overall Rating: 10/10.
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